Articles and Reviews
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THE IRISH TIMES review of The Bystander, Dublin Theatre Festival 2018

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THE REVIEWS HUB review of The Bystander, Dublin Theatre Festival 2018

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THE ARTS REVIEW review of The Bystander, Dublin Theatre Festival 2018

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IRISH TIMES review of Man At The Door (Number 54), Cork Midsummer Festival 2018

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IRISH TIMES review of Dolores, Dublin Dance Festival 2018

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IRISH INDEPENDENT review of Dolores, Dublin Dance Festival 2018

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EXEUNT MAGAZINE review of Dolores, Dublin Dance Festival 2018

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THE ARTS REVIEW review of Dolores, Dublin Dance Festival 2018

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THE BIG LIST NI review of Soldier Still, Dublin Fringe Festival 2017

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THE IRISH TIMES review of Soldier Still, Dublin Fringe Festival 2017

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THE ARTS REVIEW review of Soldier Still, Dublin Fringe Festival 2017

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EXEUNT MAGAZINE review of Soldier Still, Dublin Fringe Festival 2017

THE REVIEWS HUB review of Soldier Still, Dublin Fringe Festival 2017

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THE SCOTSMAN review of It Folds, Edinburgh Fringe Festival 2016

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THE STAGE review of It Folds, Edinburgh Fringe Festival 2016

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THE HERALD review of It Folds, Edinburgh Fringe Festival 2016

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EXAMINER.COM review of Walking Pale, 2016

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THE IRISH TIMES review of Dusk Ahead, 2015

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THE IRISH TIMES review of It Folds, 2015

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THE STATE OF THE ARTS review of It Folds, 2015

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BROADWAY WORLD review of It Folds, 2015

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LE COOL review of It Folds, 2015

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THE NEW YORK TIMES review of Dusk Ahead, 2015

TANZ MAGAZIN review of The Falling Song, 2014

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EXEUNT MAZAZINE review of The Falling Song, 2014

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THE PUBLIC REVIEWS review of The Falling Song, 2014

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THE STAGE review of The Falling Song, 2014

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THE IRISH TIMES review of Dusk Ahead, 2013

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THE SUNDAY TIMES review of Dusk Ahead, 2013

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EXAMINER.COM review of Dusk Ahead, 2013

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IRISH THEATRE MAGAZINE review of Dusk Ahead, 2013

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IRISH INDEPENDENT review of Dusk Ahead, 2013

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THE IRISH TIMES feature on junk ensemble and Dusk Ahead, 2013

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IRISH EXAMINER review of Dusk Ahead, 2013

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THE IRISH TIMES review of The Falling Song, 2012

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IRISH THEATRE MAGAZINE review of The Falling Song, 2012

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RACHEL DONNELLY review of The Falling Song, 2012

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TOTALLY DUBLIN review of Bird with boy, 2012

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THE SUNDAY TIMES review of Bird with boy, 2011

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IRISH THEATRE MAGAZINE review of Bird with boy, 2011

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THE IRISH TIMES review of Bird with boy, 2011

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THE VIEW on RTE TELEVISION review of Five Ways to Drown, 2010

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THE IRISH TIMES review of Five Ways to Drown, 2010

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IRISH THEATRE MAGAZINE review of Five Ways to Drown, 2010

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THE IRISH INDEPENDENT review of Five Ways to Drown, 2010

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IRISH HERALD review of Five Ways to Drown, 2010

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DANCE EUROPE review of Drinking Dust, 2009

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THE IRISH TIMES review of Drinking Dust, 2008

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THE METRO review of Drinking Dust, 2008

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IRISH THEATRE MAGAZINE review of Drinking Dust, 2008

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THE IRISH TIMES review of The Rain Party, 2007

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THE IRISH INDEPENDENT review of The Rain Party, 2007

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THE METRO review of The Rain Party, 2007

THE IRISH TIMES 9 February 2007

THE RAIN PARTY
Project/Cultivate Centre, Dublin


Audiences probably expect Junk Ensemble's Rain Party to be about rain. Collecting their ticket at Project's box office, they check in their shoes for a pair of wellies, a brolly with individual instructions, and a steaming mug of hot chocolate complete with marshmallow. By the time they process through Temple Bar to the Cultivate Centre, they begin to feel like party guests, but still have to walk the gentle gauntlet of an emptying watercan tipped by an unseen dancer in the passageway to the courtyard.

Here, solitary goldfish peer out of bowls scattered among the plants and a simple chalked trail lead through tiny journeys among the plants that are booby-trapped with tape recorders asking to be played, radios to be tuned and music boxes not to be touched.

Quietly guided to a pair of benches, the guests sit and the two performers appear - identical twins, similarly armed with wellies and brollies. They dance a gently repeating eight count dance phrase, punctuated by anxious glances at a pocket watch. In another part of the garden they prepare a birthday party, in another one of them drowns, and soon thoughts of rain are replaced by memories, and how transient and illusive they are.

This subtle manipulation is at the heart of Megan and Jessica Kennedy's choreography for Junk Ensemble. Choosing simple fable rather than turgid novel — and in Rain Party site specific rather than proscenium — they don't get stressed about choreographic development or structure. That would be almost too pompous: their choice, along with director Jo Timmins, is a more modest facilitation of their audience's imagination where every hint - a frying fish or a packet of Lemsip - is carefully chosen with both a furrowed brow and a knowing wink.

Rain Party reminds us how our memories are as impermanent as the chalk scribbles under rain and as unreliable as the song with made-up words. A Polaroid photo, given to one member of the audience, remains the only evidence of our presence at this party.

MICHAEL SEAVER

THE IRISH TIMES review of The Rain Party, 2007