Articles and Reviews
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THE IRISH TIMES review of The Bystander, Dublin Theatre Festival 2018

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THE REVIEWS HUB review of The Bystander, Dublin Theatre Festival 2018

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THE ARTS REVIEW review of The Bystander, Dublin Theatre Festival 2018

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IRISH TIMES review of Man At The Door (Number 54), Cork Midsummer Festival 2018

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IRISH TIMES review of Dolores, Dublin Dance Festival 2018

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IRISH INDEPENDENT review of Dolores, Dublin Dance Festival 2018

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EXEUNT MAGAZINE review of Dolores, Dublin Dance Festival 2018

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THE ARTS REVIEW review of Dolores, Dublin Dance Festival 2018

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THE BIG LIST NI review of Soldier Still, Dublin Fringe Festival 2017

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THE IRISH TIMES review of Soldier Still, Dublin Fringe Festival 2017

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THE ARTS REVIEW review of Soldier Still, Dublin Fringe Festival 2017

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EXEUNT MAGAZINE review of Soldier Still, Dublin Fringe Festival 2017

THE REVIEWS HUB review of Soldier Still, Dublin Fringe Festival 2017

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THE SCOTSMAN review of It Folds, Edinburgh Fringe Festival 2016

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THE STAGE review of It Folds, Edinburgh Fringe Festival 2016

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THE HERALD review of It Folds, Edinburgh Fringe Festival 2016

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EXAMINER.COM review of Walking Pale, 2016

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THE IRISH TIMES review of Dusk Ahead, 2015

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THE IRISH TIMES review of It Folds, 2015

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THE STATE OF THE ARTS review of It Folds, 2015

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BROADWAY WORLD review of It Folds, 2015

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LE COOL review of It Folds, 2015

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THE NEW YORK TIMES review of Dusk Ahead, 2015

TANZ MAGAZIN review of The Falling Song, 2014

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EXEUNT MAZAZINE review of The Falling Song, 2014

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THE PUBLIC REVIEWS review of The Falling Song, 2014

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THE STAGE review of The Falling Song, 2014

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THE IRISH TIMES review of Dusk Ahead, 2013

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THE SUNDAY TIMES review of Dusk Ahead, 2013

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EXAMINER.COM review of Dusk Ahead, 2013

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IRISH THEATRE MAGAZINE review of Dusk Ahead, 2013

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IRISH INDEPENDENT review of Dusk Ahead, 2013

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THE IRISH TIMES feature on junk ensemble and Dusk Ahead, 2013

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IRISH EXAMINER review of Dusk Ahead, 2013

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THE IRISH TIMES review of The Falling Song, 2012

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IRISH THEATRE MAGAZINE review of The Falling Song, 2012

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RACHEL DONNELLY review of The Falling Song, 2012

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TOTALLY DUBLIN review of Bird with boy, 2012

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THE SUNDAY TIMES review of Bird with boy, 2011

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IRISH THEATRE MAGAZINE review of Bird with boy, 2011

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THE IRISH TIMES review of Bird with boy, 2011

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THE VIEW on RTE TELEVISION review of Five Ways to Drown, 2010

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THE IRISH TIMES review of Five Ways to Drown, 2010

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IRISH THEATRE MAGAZINE review of Five Ways to Drown, 2010

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THE IRISH INDEPENDENT review of Five Ways to Drown, 2010

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IRISH HERALD review of Five Ways to Drown, 2010

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DANCE EUROPE review of Drinking Dust, 2009

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THE IRISH TIMES review of Drinking Dust, 2008

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THE METRO review of Drinking Dust, 2008

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IRISH THEATRE MAGAZINE review of Drinking Dust, 2008

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THE IRISH TIMES review of The Rain Party, 2007

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THE IRISH INDEPENDENT review of The Rain Party, 2007

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THE METRO review of The Rain Party, 2007

THE IRISH INDEPENDENT Wednesday 11 May 2010

Five Ways to Drown


Junk Ensemble opened Dublin Dance Festival 2010 with a quirky splash.

Exploring how we might metaphorically drown -- or play -- in everyday life, five dancers aged 11 to 70, move in the ambiguous zone between waving, drowning, childhood memories and the unexpected joys of domestic DIY.

Talented identical twins Jessica and Megan Kennedy have created a magical inside/outside world full of inter-generational musings, melancholy moments, offbeat humour and imagination.

Everything from Boy Scout gear to sign language is given a twirl. The title of Stevie Smith's poem 'Not Waving but Drowning' is even tapped out in Morse code.

Using choreography sourced in the everyday -- from eating toast to gargling -- Junk Ensemble treats us to acrobatics on a couch, in a bathtub, on a trampoline, and some hilarious wallpapering.

Lit and designed by Aedin Cosgrove, it is thought through right down to audience members getting their own special chair.

Dance is sprinkled throughout, to Denis Clohessy's subtly evocative soundscape. Teetering from the playful to the sinister, we hear it's possible to drown in a bath as grandmother-figure Mary O'Connor puts armbands on 11 year-old Joshua Dyson, then times him holding his breath in the tub.

Demonstrating his Boy Scout knots, this young bright spark is variously lassoed by a twin into a tug-of-war rope duet, heartlessly pushed away, and turned head over heels in a pas-de-deux with Lee Clayden. In this exploration of masculinity, Dyson could be the embodiment of Clayden's younger self.

Junk Ensemble's worldview takes a sadder turn when O'Connor hooks herself to a hospital drip and waltzes with Megan Kennedy, who carefully supports her fragile head in her han ds.

Junk Ensemble allows the dance steps of the everyday to surface in this wonderful, humane festival-opener.


DEIRDRE MULROONEY

THE IRISH INDEPENDENT review of Five Ways to Drown, 2010